Формування техніки співу на опорі у майбутніх педагогів-музикантів

Abstract

(ua) У статті автори розглядають методи формування навичок співочого дихання у майбутніх педагогів-музикантів у процесі підготовки до майбутньої професійної діяльності. Формування техніки співу на опорі на початковому етапі навчання передбачає цілеспрямовану роботу з оволодіння студентами навичками фонаційного вдиху, утримання позиції затриманого вдиху та фонаційного видиху.

(en) In the article the authors consider the methods of forming singing breathing skills in future music teachers in preparation for future professional activities. The formation of the technique of singing on the support at the initial stage of training involves purposeful work on mastering by students the skills of phonation breathing, maintaining the position of delayed breathing and phonation exhalation. One of the most important aspects of preparing students of higher music pedagogical institutions for future professional activities is their mastery of vocal and technical skills for skillful performance of singing and art repertoire and successful professional work with future students on voice. Perfect mastery of the voice put on the breath, the ability to properly coordinate the body systems involved in the vocalization process is not only necessary but also a very important factor in the successful future work of future music teachers, due to our growing interest. to solo singing: numerous vocal festivals, competitions and television projects attract young vocalists, stimulate the desire to become professional singers. In today's conditions, academic vocal teachers face a number of tasks related to the general musical development and professional development of vocalists, their involvement in the world of music, education of diverse individuals and their preparation for full-fledged creative activity in general secondary education, institutions of art education, culture and arts, etc.The fundamental commandments of the unsurpassed Italian belcanto are the fundamental basis of classical singing, namely: education of hearing and pure intonatio n, precise attack of sound with its subsequent cultivation, perfect combination of two adjacent tones as the basis of legato, soft connection of thoracic and main registers, lack of register sound, clear recitation of the artistic text, setting the voice on the resistance, conscious control of breathing in singing, etc. Singing breathing is radically different from the physiological process of respiration, the main function of which is the process of gas exchange; singing breathing is a complex process of coordinated work of the nervous system of the body with the musculoskeletal, resonator, speech, respiratory systems, which results in the formation of a singing sound.