Односкладні речення в щоденниковому дискурсі Володимира Винниченка

Abstract

(uk) У статті проаналізовано односкладні речення в «Щоденнику» Володимира Винниченка, які засвідчують своєрідність їх використання для вираження позицій, поглядів, настанов автора. Визначено функції вживаних синтаксичних конструкцій. Зазначено, що розглянуті типи односкладних структур, функціонуючи в тексті, збагачують його стилістичні можливості, створюють виразні напружені контексти, містять глибокий значеннєвий та емоційний потенціал.

(en) The peculiarities of diary discourse, which contains peculiar information of social and psychological content are considered in the article. It is noted that this genre of memoir literature captures not so much specific events and situations rather than them being experienced by the author, which determines the specifity of the phrases construction, the choice of communicative types of sentences, their emotional color. Monosyllabic sentences, which have become widely used in the language of V. Vinnychenko's diary works, are investigated. These syntactic constructions show the peculiarity of their use to express the positions, views, guidelines of the author. It is emphasized that the types of monosyllabic sentences were used by V. Vinnychenko to a different degree. The most active among the monosyllabic sentences are the impersonal constructions. It is established that by these sentences the author expresses his desire – the will or unwillingness to perform a certain action; depicts the condition of a person or nature. The assignment of nominative sentences in the artist's memoir records is analyzed: the author can note the most vulnerable paintings, hoping then to reproduce their full characteristics with these strokes, understand the thoughts, feelings that he had then, the very atmosphere of that time, the situations that relate tothe notice. Much less often does the author use, attribitual-personal sentences that focus primarily on actions rather than figures. Unattribitual -personal sentences might be used to deliberately eliminate the subject. It is noted that the considered types of monosyllabic structures, functioning in diary text, enrich its stylistic possibilities, create expressive tense contexts, contain deep meaningfull and emotional potential.